The experience of colour in Islamic visual culture has historically been overlooked. In his approach to the study of colour in Islamic art, Trevathan creates meaningful dialogue between artistic production, artistic media, and the intellectual, aesthetic and philosophical concepts relating to the subject. Here, he proposes an enlightened new approach to the way we consider colour in Islamic art and architecture. Examining works in relation to their aesthetic contexts, he reveals the relevance of choice colours used in artworks, which in turn provides insights into the pre-modern Muslim experience of colour and aesthetics.